Ashes and Snow
Ashes and Snow is possibly one of the most exceptional curatorial efforts I've experienced.
Fred and I went to see the exhibition which is housed in the Nomadic Museum, currently at the Santa Monica Pier. It's a 56 000 sq ft temporary structure designed by renowned architect Shigeru Ban. The building itself is pretty cool: Functional, visually interesting and conceptually impressive. Things like that make me happy.
From the little I'd read about Ashes and Snow in the papers, I was expecting a large format photography show. You, know, on white walls and stuff, conventional gallery-show type presentation. I thought it was going to be all about the photographs.
Well, actually, it is about the photographs... you really have to see them for yourself.
The setup of this exhibition accomplishes what few installations can. It's like discovering this door and then wondering into an ethereal space that is part warehouse, part sacred enclave and then you feel it taking over your entire realm of consciousness.
Approaching the Nomedic Museum, I hear sound coming out from it and I think, "sounds like a convention or a Cirque du Soleil performance or something going on in there." Step into the building and you have to let your eyes adjust to the warm dimness. Then you realize that sound is part of the exhibition. I can only describe it as haunting. In what sense... probably depends on the individual experiencing it.
The context in which the audience is made to take in the photographic imagery is totally immersive. It just encompasses you and trasports you and you cannot help but be moved when you look at the photos because the imagery presented, is itself so strong.
As we walk I notice a large screen on the back wall. A small congregation of audience watches a film that looks like what the photographs might be if they were, well, on moving media rather than being stills. It's like watching life in slow mo. Then you realize, it is slow mo. Then you realize that it's quite untrite and very beautiful. The production quality is top notch.
The show transitions to the next space which is essentially a screening room domintated by an even larger screen with a bigger audience. That, with the imagery, I experienced vastness.
The footage was pretty amazing. Watching the whales and the solitary guy swimming, I wondered when the guy would finally go up for air... or when he'd begin to realize that he's in the middle of nowhere, in the ocean, with a bunch of humongus sperm whales and start panicking. Of course none of those things happened. That's not quite the point. Still, Fred and I wondered... hehe.
Silliness aside, it's very emotional in an understated sort of way. You really just watch in awe.
Being curious about what others might have gotten out of Ashes and Snow. I googled... and found this Amardeep guy's review which baffles me. Especially if this person is really an assistant English teacher as claims. Either it's a gag entry, which is impressively convincing, or Amardeep is more into the strictly technical sort of English.
I shall let the man behind the show have the last word.
Fred and I went to see the exhibition which is housed in the Nomadic Museum, currently at the Santa Monica Pier. It's a 56 000 sq ft temporary structure designed by renowned architect Shigeru Ban. The building itself is pretty cool: Functional, visually interesting and conceptually impressive. Things like that make me happy.
From the little I'd read about Ashes and Snow in the papers, I was expecting a large format photography show. You, know, on white walls and stuff, conventional gallery-show type presentation. I thought it was going to be all about the photographs.
Well, actually, it is about the photographs... you really have to see them for yourself.
The setup of this exhibition accomplishes what few installations can. It's like discovering this door and then wondering into an ethereal space that is part warehouse, part sacred enclave and then you feel it taking over your entire realm of consciousness.
Approaching the Nomedic Museum, I hear sound coming out from it and I think, "sounds like a convention or a Cirque du Soleil performance or something going on in there." Step into the building and you have to let your eyes adjust to the warm dimness. Then you realize that sound is part of the exhibition. I can only describe it as haunting. In what sense... probably depends on the individual experiencing it.
The context in which the audience is made to take in the photographic imagery is totally immersive. It just encompasses you and trasports you and you cannot help but be moved when you look at the photos because the imagery presented, is itself so strong.
As we walk I notice a large screen on the back wall. A small congregation of audience watches a film that looks like what the photographs might be if they were, well, on moving media rather than being stills. It's like watching life in slow mo. Then you realize, it is slow mo. Then you realize that it's quite untrite and very beautiful. The production quality is top notch.
The show transitions to the next space which is essentially a screening room domintated by an even larger screen with a bigger audience. That, with the imagery, I experienced vastness.
The footage was pretty amazing. Watching the whales and the solitary guy swimming, I wondered when the guy would finally go up for air... or when he'd begin to realize that he's in the middle of nowhere, in the ocean, with a bunch of humongus sperm whales and start panicking. Of course none of those things happened. That's not quite the point. Still, Fred and I wondered... hehe.
Silliness aside, it's very emotional in an understated sort of way. You really just watch in awe.
Being curious about what others might have gotten out of Ashes and Snow. I googled... and found this Amardeep guy's review which baffles me. Especially if this person is really an assistant English teacher as claims. Either it's a gag entry, which is impressively convincing, or Amardeep is more into the strictly technical sort of English.
I shall let the man behind the show have the last word.
“In exploring the shared language and poetic sensibilities of all animals, I am working towards rediscovering the common ground that once existed when people lived in harmony with animals. The images depict a world that is without beginning or end, here or there, past or present.”—Gregory Colbert, Creator of Ashes and Snow